Little Ease Redux x3, 1987/2021
With Elizabeth Streb
Untitled (Spirit Lake), 2017
A single-channel video work for display on a movable video stand or theatrical projection. Shot at the Spirit Lake Reservation in Fort Totten, North Dakota, 2015, in collaboration with the Pow Wow dancers and drummers. Color. Sound processing by Earl Howard. 10:00.
Memorial Song for Robert Rauschenberg, 2013
Presented by the Cankdeska Cikana Drummers and Singers as part of Songs for Spirit Lake, at the Rauschenberg Foundation exhibition space, New York. Color. Sound. 5:00.
Beauty and Beast, 2012
A single-channel work derived from the installation, Wisconsin Arc. Color. Sound. 5:00.
Procession, 2012
A composite of three separate video channels displayed as one. A ceremony performed by Buddhist monks and abbesses is transformed to abstract, kaleidoscopic imagery. Can also be shown as a 3-channel installation. Color. Sound. 8:33.
Four Mandalas, 2010
#1 Corinth, #2 Grand Forks, #3 Lewis and Clark, and #4 Lignite present environments in motion, transformed to abstract, kaleidoscopic imagery. Can be shown singly or grouped as installation.
Color. Silent. Various durations.
Koshoin, 2009
A Buddhist Founder's Day ceremony at Koshoin Imperial Buddhist convent in Kyoto, Japan.
Color. Sound. 21:00. In Japanese.
Arabesque, 2004
A soulful homage to rodeo, excerpted from the end of The Plains of Sweet Regret. Both video and sound are digitally layered and processed. With music by George Strait. Color. Sound. 7:00.
This Old Man, 2002
A single-channel video featuring impromptu performances by New York City school children.
Color. Sound. 4:30.
Portrait: John Lado Keni, 2000
John Lado Keni is a refugee from the Sudan, now living in the American Midwest. He has been deaf from birth but is a spirited storyteller. Here he recounts his perilous journey from the Sudan to refugee camps to the U.S. in his own special language consisting of elements of sign language with personal gestures and sounds. Color. Sound. 12:08.
Mary Lucier: Selected Works, 2000
A three-part compilation of single channel works from three decades: The 1970's: Phenomena, The 1980's: Landscapes, and The 1990's: Figure and Ground. Black and white and color. Sound. Various durations.
Summer, or Grief, 1998
A single-channel video juxtaposing visual text from a poem by Allen Grossman with images from the artist's upstate New York environment. Color. Sound. 7:30.
Noah's Raven, 1993
A composite of four video channels from the installation. 4 channels, 8 monitors. Color. Sound by Earl Howard. 26:00.
Mass: Between A Rock and a Hard Place, 1990
Collaboration with Elizabeth Streb
A single-channel video examining the motion and collision of bodies in space alongside that of crowds in New York City streets, roads, and landmarks. Color. Sound. 11:00.
In the blink of an eye . . . amphibian dreams . . . If I could fly, I would fly, 1987
Collaboration with Elizabeth Streb
A single-channel video produced for television by Alive from Off Center. Color. Sound. 25:00.
Ohio to Giverny: Memory of Light, 1983
A single-channel video describing a journey from a rural American home to Monet's garden in France, with references to the painter's motifs. Color. Sound by Earl Howard. 19:00.
Bird's Eye, 1978
A single-channel video from the point of view of the camera looking directly into a laser beam. With Bird and Person Dyning, by Alvin Lucier. Black and white. Sound. 10:00.
Attention Focus and Motion, 1975
A single-channel video juxtaposing movement of people and objects in three separate environments. Black and white. Sound. 28:00.
The Trial of Anne Opie Wehrer by Robert Ashley, 1974
A single-channel video of a performance by Robert Ashley and Anne Wehrer, with the video artist as participant and observer during an event by the Cunningham Dance Company in their studio in New York. Black and white. Sound. 60:00.
